Ranko Miyama ((exclusive))

is a modern-day Shinto priestess (Miko) living in contemporary Paris. Introduced in Onimusha 3: Demon Siege (2004), she serves as the game’s secondary playable character alongside the time-displaced samurai, Samanosuke Akechi, and the modern French police captain, Jacques Blanc.

Her breakout role came in 1958 with Kaze no Matasaburō (Matasaburō of the Wind), a period fantasy directed by Koji Shima. Playing a dual role—both a gentle village girl and a mystical forest spirit—Miyama displayed a range rarely seen from actresses her age. The film was a moderate box office success, but critics were unanimous: a new star had arrived.

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(also known by her alternative stage name Sayoko Hideyoshi ) is an actress recognized primarily for her work in specialized Japanese television dramas, direct-to-video releases, and mature V-cinema productions .

Her life, like the house, had become a map of small salvations: a boy reunited with his mother because he heard her voice on a tape, a carpenter who learned the name of a tree he had seen in a sketch, an old woman who felt less invisible when the room remembered her recipes. Ranko died quietly in her sleep one spring morning, and the town wrapped the news in an archive of its own—flowers, notes, a chorus of recorded remembrances that were played on the house’s porch. is a modern-day Shinto priestess (Miko) living in

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In the 1950s and 1960s, Miyama continued to write prolifically, producing works that cemented her reputation as one of Japan's leading literary figures. Her writing style, characterized by simplicity, clarity, and depth, resonated with readers across Japan. Some of her notable works from this period include "The River of Life" (, Jinsei no kawa, 1954) and "The Garden of Memories" (, Omoide no niwa, 1962). Playing a dual role—both a gentle village girl

Her career is characterized by appearances in episodic variety and adult-oriented series, often featured on platforms like Red Hot Jam

For decades, was a footnote in Japanese film history—a brilliant actress who "quit too soon." However, the 2010s saw a major revival of interest in her work. The Criterion Collection released a box set of Seijun Suzuki’s films, which included two of her best performances. Film critics like Mark Schilling and Jasper Sharp praised her "fearless stillness" and "eyes that carried entire monologues without a word."

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Born in the late 1930s in Tokyo, (whose real name was often omitted from public records to preserve artistic mystique) did not come from an entertainment family. Unlike many child stars of her era who were pushed into acting by show-business parents, Miyama entered the arts through a more traditional route: classical Japanese dance.