The physical presentation of the 2010 reissue was designed with a fan's attention to detail in mind. Housed in a , the set includes a 20-page booklet filled with liner notes, rare photos, lyrics, and full credits . The artwork was overseen by art director Jeri Heiden for Smog Design, utilizing the original photography by Knut Bry to maintain the album's iconic visual identity . For those who prefer vinyl, the 2015 reissue presented the album on 180-gram heavyweight vinyl , a collectible for audiophiles .
presents the original 1986 album in its entirety, fully remastered, alongside three extended remixes that were originally featured on the 12-inch singles of the era:
Date: [Current Date]
In 1986, Morten Harket, Magne Furuholmen, and Pål Waaktaar-Savoy faced the monumental task of following up "Take on Me". Instead of replicating their debut's bright synth-pop textures, a-ha pivotally leaned into a darker, more organic soundscape.
: Driven by an infectious, driving bassline and eerie wildlife sampling, this track shines with enhanced low-end clarity.
The band’s sophomore album was originally released on 6 October 1986 and was produced by Alan Tarney, the mastermind behind the band's biggest hits . While it didn't replicate the monstrous chart-topping run of the debut, it performed remarkably well, solidifying their international presence. Here is a look at the album's chart positions upon its original release and during its 2010 remastered run:
Released on October 6, 1986, Scoundrel Days was a distinct pivot from the pop sheen of "Take On Me." While still synth-pop, the album introduced a "rock-pop" edge, characterized by deeper melancholy and increased artistic control from band members Pål Waaktaar-Savoy and Magne Furuholmen.
Scoundrel lit a cigarette later, watched the smoke fold into the city's breath. He had days to trade—some he would sell, some he would keep. He had learned that remastering could be theft when it smoothed over truth. Expansion, though—expansion was different. It gave memory room to breathe again.
Modern remastering techniques can bring new life to the intricate synthesisers and acoustic guitar layers produced by Alan Tarney, Pål, and Mags. A, 2026 remaster would likely improve the dynamic range, making the dense soundscapes of "We're Looking for the Whales" clearer and more immersive. 2. Further Expanded Content (Demos & Unreleased Tracks)
"Found," she said. "With a note—'Remember me well.'"
This edition is designed to showcase the band's creative process and live energy during their "darker" transition from synth-pop to a more atmospheric sound.
This is the big one. Usually, "remasters" just polish the turd. This update adds a third act that was originally cut due to the 2003 disk space limitations.
Released on 6 October 1986, Scoundrel Days was the highly anticipated follow-up to a-ha's groundbreaking debut, Hunting High and Low . After the global, synth-driven pop sensation of "Take on Me," the Norwegian trio—Morten Harket (vocals), Paul Waaktaar-Savoy (guitars), and Magne Furuholmen (keyboards)—chose to challenge expectations. Instead of repeating the formula of their first album, they crafted a record that was notably darker, more atmospheric, and more rock-oriented.
Upon its release, the remastered edition was greeted with enthusiasm by critics and fans alike, who noted a significant sonic improvement. A contemporary review from 2010 aptly captured the general sentiment, stating that the album "benefits mightily from the new remastering. It sounds fuller and more alive than the original pressing, and I've been hearing details I had missed previously". The review went on to call Scoundrel Days "a brilliant collection of 80s pop – dark, atmospheric, edgy and strongly melodic". This reissue was widely seen as the definitive way to experience a-ha's dark, ambitious, and brilliantly crafted second album.
Aha Scoundrel Days Remastered And Expanded Upd ((link)) [2025-2027]
The physical presentation of the 2010 reissue was designed with a fan's attention to detail in mind. Housed in a , the set includes a 20-page booklet filled with liner notes, rare photos, lyrics, and full credits . The artwork was overseen by art director Jeri Heiden for Smog Design, utilizing the original photography by Knut Bry to maintain the album's iconic visual identity . For those who prefer vinyl, the 2015 reissue presented the album on 180-gram heavyweight vinyl , a collectible for audiophiles .
presents the original 1986 album in its entirety, fully remastered, alongside three extended remixes that were originally featured on the 12-inch singles of the era:
Date: [Current Date]
In 1986, Morten Harket, Magne Furuholmen, and Pål Waaktaar-Savoy faced the monumental task of following up "Take on Me". Instead of replicating their debut's bright synth-pop textures, a-ha pivotally leaned into a darker, more organic soundscape. aha scoundrel days remastered and expanded upd
: Driven by an infectious, driving bassline and eerie wildlife sampling, this track shines with enhanced low-end clarity.
The band’s sophomore album was originally released on 6 October 1986 and was produced by Alan Tarney, the mastermind behind the band's biggest hits . While it didn't replicate the monstrous chart-topping run of the debut, it performed remarkably well, solidifying their international presence. Here is a look at the album's chart positions upon its original release and during its 2010 remastered run:
Released on October 6, 1986, Scoundrel Days was a distinct pivot from the pop sheen of "Take On Me." While still synth-pop, the album introduced a "rock-pop" edge, characterized by deeper melancholy and increased artistic control from band members Pål Waaktaar-Savoy and Magne Furuholmen. The physical presentation of the 2010 reissue was
Scoundrel lit a cigarette later, watched the smoke fold into the city's breath. He had days to trade—some he would sell, some he would keep. He had learned that remastering could be theft when it smoothed over truth. Expansion, though—expansion was different. It gave memory room to breathe again.
Modern remastering techniques can bring new life to the intricate synthesisers and acoustic guitar layers produced by Alan Tarney, Pål, and Mags. A, 2026 remaster would likely improve the dynamic range, making the dense soundscapes of "We're Looking for the Whales" clearer and more immersive. 2. Further Expanded Content (Demos & Unreleased Tracks)
"Found," she said. "With a note—'Remember me well.'" For those who prefer vinyl, the 2015 reissue
This edition is designed to showcase the band's creative process and live energy during their "darker" transition from synth-pop to a more atmospheric sound.
This is the big one. Usually, "remasters" just polish the turd. This update adds a third act that was originally cut due to the 2003 disk space limitations.
Released on 6 October 1986, Scoundrel Days was the highly anticipated follow-up to a-ha's groundbreaking debut, Hunting High and Low . After the global, synth-driven pop sensation of "Take on Me," the Norwegian trio—Morten Harket (vocals), Paul Waaktaar-Savoy (guitars), and Magne Furuholmen (keyboards)—chose to challenge expectations. Instead of repeating the formula of their first album, they crafted a record that was notably darker, more atmospheric, and more rock-oriented.
Upon its release, the remastered edition was greeted with enthusiasm by critics and fans alike, who noted a significant sonic improvement. A contemporary review from 2010 aptly captured the general sentiment, stating that the album "benefits mightily from the new remastering. It sounds fuller and more alive than the original pressing, and I've been hearing details I had missed previously". The review went on to call Scoundrel Days "a brilliant collection of 80s pop – dark, atmospheric, edgy and strongly melodic". This reissue was widely seen as the definitive way to experience a-ha's dark, ambitious, and brilliantly crafted second album.